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All Photos/Editor’s Picks/dining/fireplace : standard layout

Dining Room Standard Layout Fireplace Design Photos and Ideas

On choosing the dining table and chairs from Ikea ($1700) Kara had a moment of: “Are orange chairs too much? But I had a dream about it that night, so I was like, no, it's not too much,” says Kara. The rhubarb print is a commission from Soft Side Prints for $800. “That ties back to our time living in Copenhagen,” says Kara. “The Danes will never admit this, but they love rhubarb."
A built-in bench provides seating for the 10-foot-long dining table, which Lanigan found at a store in Berkley that was going out of business. “It almost feels like it grows out of the floor,” says Lanigan. (The fireplace tile here is original.)
Architect Sarah Jacoby uncovers the beauty in a timeworn home with moody interiors, a bevy of built-ins, and an unusual bedroom sink.
Solk thickened the fireplace wall to two feet deep, and packed in storage capabilities around the newly refinished fireplace, which now has large-scale porcelain tile surrounding it.
Taking cues from nautical casework, Osmose Design crafted an undulating, white oak kitchen in an irresistibly quirky Tudor home in Portland, Oregon.
Cheng kept the dining room chandelier and the original fireplace, and gutted most everything else, careful to keep changes in the spirit of the home’s quiet character. "It's an unassuming structure with jaw-dropping, 180-degree views once you walk in the door," says the designer.
Bleached walnut replaced cold concrete floors in this family-friendly renovation of a dated loft in West Chelsea’s late 19th-century Spears Building. To make the loft feel more welcoming, architects Ravi Raj and Evan Watts toned down the heavy industrial elements of the 2,700-square-foot loft with a warmer and lighter palette and added custom built-ins for a streamlined look. At the same time, the loft still preserves much of its historic appeal—from the exposed brick seen throughout the home to the oversized openings left intact.
The dining room, which features an original pressed-metal ceiling detail and fireplace, has a large window that opens directly to the sidewalk. The step down from the dining room to the living room represents the junction between the original terrace and the newly built addition. The exposed steel beam running above this junction is also new. "In opening up the house to the courtyard, we had to remove two walls," says Joe. "The steel beams and column support the upper floor of the original house in this area."
The oak ceilings are about 16.5 feet high in the living and dining room.
The former exterior wall is now a textural accent in the living room that syncs with the concrete wall in the kitchen.
The open kitchen faces a wall of above-counter windows that let in plenty of light. The dining table maintains the material palette of wood and black.
The material and color choices—spotted gum, and clean white and gray—were inspired by the environment of Castlecrag.
The dining room stands in stark contrast to the light-filled kitchen.
Konstantin Grcic’s Venus chairs for ClassiCon surround a table by Poliform in the formal dining room. Hill selected the Flos chandelier designed by Marcel Wanders for its "Old World reverence." The sleek fireplace mantel was designed by Hill and cobbled together onsite from three solid slabs of limestone.
In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.