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The street façade is clad in 1x2 Ipe wood rain screen to offer a quiet, unobtrusive face to the neighborhood with strategic slot windows that give glimpses of what lies beyond.
The street façade is clad in 1x2 Ipe wood rain screen to offer a quiet, unobtrusive face to the neighborhood with strategic slot windows that give glimpses of what lies beyond.
The concept is based on the ever-changing color and positioning of the hay as cladding on the barn. When hay is stacked along the outer storage shelves in the winter, it is green; as the season unfolds, the hay turns yellow, and the caretaker removes it from the shelves as it is used for feed.
The concept is based on the ever-changing color and positioning of the hay as cladding on the barn. When hay is stacked along the outer storage shelves in the winter, it is green; as the season unfolds, the hay turns yellow, and the caretaker removes it from the shelves as it is used for feed.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Mid-century designer Jens Risom's A-framed prefab family retreat, located on the northern portion of Block island, is bordered by a low stone wall, an aesthetic element that appears throughout the land.
Jens RisomJens Risom’s spot in the canon of mid-century American design is one marked by displacement. Some of the accolades heaped upon the great designers should rightly have gone to Risom, who, with Hans Knoll, began priming the market for modern design as early as 1941 with the Risom-designed 600 line for Knoll. It included the first Knoll chair ever. View his prefab house in Rhode Island here.
Jens RisomJens Risom’s spot in the canon of mid-century American design is one marked by displacement. Some of the accolades heaped upon the great designers should rightly have gone to Risom, who, with Hans Knoll, began priming the market for modern design as early as 1941 with the Risom-designed 600 line for Knoll. It included the first Knoll chair ever. View his prefab house in Rhode Island here.
Organized around a central courtyard, the home’s three modules are oriented to maximize views of downtown Marfa; 20-foot-deep piers drilled below each concrete footing root the structure to the site and help stabilize it against West Texas winds, which can reach 120 miles per hour.
Organized around a central courtyard, the home’s three modules are oriented to maximize views of downtown Marfa; 20-foot-deep piers drilled below each concrete footing root the structure to the site and help stabilize it against West Texas winds, which can reach 120 miles per hour.
The weeHouse exteriors are clad in corrugated Cor-Ten, but with a custom pattern of folds to create an organic randomness. The foundations were designed with a shallow recess around the top to make the modules look like they’re hovering. After they bought the property in early 2014, the Siegels camped there for two summers while they saved up money and planned a permanent structure. In his research, BJ came across this design, a customizable prefab house by Alchemy Architects. "Of all the things that I found, I was drawn to that one because it was absolutely the simplest and cleanest," he says.
The weeHouse exteriors are clad in corrugated Cor-Ten, but with a custom pattern of folds to create an organic randomness. The foundations were designed with a shallow recess around the top to make the modules look like they’re hovering. After they bought the property in early 2014, the Siegels camped there for two summers while they saved up money and planned a permanent structure. In his research, BJ came across this design, a customizable prefab house by Alchemy Architects. "Of all the things that I found, I was drawn to that one because it was absolutely the simplest and cleanest," he says.
Beetle’s House, by architect Terunobu Fujimori.
Beetle’s House, by architect Terunobu Fujimori.
The 1991 Jinchokan Moriya Historical Museum, Fujimori’s first commissioned building, signaled the themes that continue to drive his work: design in harmony with nature; raw, natural materials (wood, mud-and-mortar walls); and a Neolithic-inspired architectural style.
The 1991 Jinchokan Moriya Historical Museum, Fujimori’s first commissioned building, signaled the themes that continue to drive his work: design in harmony with nature; raw, natural materials (wood, mud-and-mortar walls); and a Neolithic-inspired architectural style.
Terunobu Fujimori's Charred Cedar House, completed in 2007. As the name implies, the entire home is clad in charred cedar boards, which have been treated with an ancient Japanese technique that seals the wood against rain and rot.
Terunobu Fujimori's Charred Cedar House, completed in 2007. As the name implies, the entire home is clad in charred cedar boards, which have been treated with an ancient Japanese technique that seals the wood against rain and rot.
Image from The Book of Knowledge of Ingenious Mechanical Devices by 12th-century scholar Badīʿ az-Zaman Abū l-ʿIzz Ismāʿīl ibn ar-Razāz al-Jazarī.
Image from The Book of Knowledge of Ingenious Mechanical Devices by 12th-century scholar Badīʿ az-Zaman Abū l-ʿIzz Ismāʿīl ibn ar-Razāz al-Jazarī.
Michèle Monory’s Chinon farmhouse is an idyllic getaway from her home basein Paris. After she inherited the property and centuries-old structure from her father, she hired Matali Crasset, who runs a cutting-edge architecture and design firm, to update the living spaces.
Michèle Monory’s Chinon farmhouse is an idyllic getaway from her home basein Paris. After she inherited the property and centuries-old structure from her father, she hired Matali Crasset, who runs a cutting-edge architecture and design firm, to update the living spaces.
Scholten and Baijings' studio, in Amsterdam, is a former pump house.
Scholten and Baijings' studio, in Amsterdam, is a former pump house.

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