Hallway Concrete Floors Design Photos and Ideas

The materials of the house come together in one artful shot: concrete, metal, cedar, and glass.
The hallway flooring is poured-in-place concrete.
Custom steel panels wrap around the bistro nook.
The abundance of glazing gave rise to the project’s name, Transparent.
"In summer, we love the rooftop deck; in winter, the heated concrete slab," says Adair. "Previously we were forever cold in winter, and got no sun in summer."
An oversized piece of artwork greets visitors once they step into the glazed entry vestibule, with the living room and deck beyond. The wide opening and lack of doors between the vestibule and the "living" volume of the two shed-like structures allows not only for ease of movement and sightlines, but for light and air to travel through the spaces.
The home’s concrete floors, wood ceilings, and glazed expanses strengthen its connection with the outdoor landscape.
To create a low-energy house, several passive environmental strategies have been incorporated into the home, including a heated floor system and exterior automated wood blinds. "Natural air ventilation in every room and cross-ventilation between opposite facades keeps the need for air conditioning to a minimum,
Natural stone abounds in the design.
Fujita incorporates multiple textures to add variation to the nearly monochrome palette.
A mural tells the story of Shake Shack in chronological order in a playful way.
An archive of Mill's father's scroll paintings sits in the penthouse. The design is inspired by a temple gate in Kyoto, Japan. This archive functions also as illumination for the corridor in the penthouse.
A simple, clean palette and double-duty lighting brighten up the entryway. Chioco selected a thin suspension light in brass from Juniper Lighting, a blue Scandinavian kilm runner from Black Sheep Unique, and a Danish bench from The Renner Project to cozy up the space.
In the reception area, Geremia Design called upon Chambers Art & Design to co-design and engineer a stretched fabric screen depicting Yosemite's Half Dome. The pendant lighting is by Workstead.
Spanning 10,000 square feet, the subterranean museum is comprised of 10 galleries (seven indoor and three outdoor), a cafe, and a reading room.
Apart from the local topography, the residence also draws inspiration from natural light, which seeps in via carefully articulated crevices.
Geremia Design worked with lighting designer Rosie Li to engineer and fabricate a large-scale map installation inspired by elevation markers. Light bulbs pinpoint nine summits and points of interest across the Yosemite Valley. Bay Area–based artist Avila Rose Signs used silver lead to hand-paint the Merced River running through the map; the lines glint in the afternoon sun.
The hexagonal rooms feature the same recessed, triangular lights that Wright used in the Guggenheim Museum.
A view from the front door shows that the bright and airy open floor plan leads straight through to the backyard.
The new entry is divided from the kitchen and dining area by a fir screen. Wood cabinetry wraps the kitchen.
The bedroom is tucked behind the oak kitchen unit and is also bordered by floor-to-ceiling glass doors that open onto a terrace.
Light wells carry natural light to the rooms below ground.
High ceilings, white walls, and a polished concrete floor create a simple backdrop for the black-and-wood finishes of the kitchen.
The entry pairs rustic, reclaimed oak walls with a poured concrete floor. Natural light streams in through massive windows.
Entry door
Hallway view from bedroom to great room.
Hallway view from great room to bedroom.
In addition to serving as a restaurant and showroom, The Manzoni can also be used as an art gallery or nightclub. The wall features Tom Dixon's new semitranslucent Opal lights, which are made from tinted white opalescent polycarbonate and include an integrated dimmable custom LED.
Breen selected 24-inch by 60-inch large-scale pavers for the walkway to the entrance and 24-inch by 48-inch pedestal set-roof pavers on the patio, both in French Gray.
A dutch door completes a hallway leading Granny through her space.
Antique pottery made by local craftsmen can be found throughout the hotel grounds.
Floor-to-ceiling glazing fills the entryway with light.
View towards second floor den and stair to third level.
Entry Stair Volume at Interior
The exposed concrete floors, also equipped with radiant heating, help passively cool and heat the home in summer and winter, respectively. The bridge leading to the guest wing can be seen to the right of the mudroom.
Here, a Jean Prouve-inspired entry table sits in front of a large-scale photograph by Massimo Vitali.
Angular windows punctuate the translucent facade, framing views of the outdoors and bringing in additional natural light.
Fifteen bespoke, digitally fabricated concrete mullions made with Smart Dynamic Casting line the facade. The free-form Mesh Mould wall supports the weight of the Smart Slab ceiling.
Natural light floods the space from an abundance of floor-to-ceiling glass.
A courtyard divides the live/work space of architect Masaaki Higashi and his wife, artist Esther Mir. For inclement weather, a steel panel and a glass door open beneath a triangular canopy, providing covered passage from the main living space to the office.
The 26 triangular skylights—covering a total area of 1,500 square feet—in the home are domed, although Wright would most likely have chosen flat skylights. Massaro reportedly said he did not choose flat skylights due to their propensity to leak.
The naturally occurring "whale rock", a key part of Wright's sketches, cuts into the dramatic entry hall that's bathed in natural light. The massive rock measures 12 feet in height and 60 feet in length.
The 5,081-square-foot dwelling features a large void at the center that cuts diagonally through all three floors. "We intentionally designed the house as a continuous stepping park from the first to third floor in order to bring the greenery into the living spaces," says Vo.
The open sliding doors of the kitchen and children’s room can flexibly stretch the space, and when fully opened, improve circulation.
The renovation added modern conveniences while updating the building's plumbing, electrical system, and roof.
The firm tucked an entry bench into the curved wall to create an easy spot for taking off shoes by the door, then lined the passageway with shelves. A curved bench under the stairs creates a nook.
A cool corridor with built-in storage.
Steve Conine, a software engineer, installed and programmed many of the details himself, like the Dell UltraSharp flat-screen panels inlaid into the entryway of the home.
Corridors run the length of the pavilions and are bookended with full-height glazed openings overlooking views of farm life.
On a sloped plot in the Echo Park neighborhood of Los Angeles, an almost 100-year-old anonymous bungalow was rendered in pink, referencing the sun-kissed stucco that's so common in the region. 
Mexico City-based architecture firm PRODUCTORA completely remodeled and renovated the home of graphic designer Jessica Fleischmann, daughter of Ernst Fleischmann, who led the Los Angeles Philharmonic and commissioned Frank Gehry to build the Walt Disney Concert Hall. Over the 15 years she lived in the home, she developed a strong connection to the neighborhood and the house itself, which inspired her to renovate it. With her strong affinity for design, she was thoroughly involved in the creative process, including selecting the particular colors that are interspersed throughout the renovation and extension of the house.
Another custom installation by the OMFGCO Art Department includes a Hideout sign made with modified cocktail umbrellas.